Archive for November, 2009

Animal Collective – Fall Be Kind EP – Review

Fall Be Kind EP

Animal Collective consistently do more interesting and important things than arguably anyone in music today. Each of their releases has stood starkly on their own, yet when they are their entire catalog is considered, each album is undoubtedly an Animal Collective release. The once four, and now three current members of Animal Collective have reached a kind of sonic and aesthetic equilibrium that most bands only dream of and never obtain.

Fall Be Kind EP (out digitally now and physically December 8th on Domino) is the band’s first release of new material since January’s brilliant, Merriweather Post Pavilion. Fall… approaches the half-hour mark with a total of five tracks, some new, some leftover from Merriweather, and some constructed even before Merriweather. Regardless of when they were written, they all feel as though they were constructed in the same time frame by a band who was in their groove.

The album’s first track, Graze, is a great tune and an outstanding first song. The first word’s of the EP, half sung, half spoken by Avey Tare almost pleadingly, “let me begin, feels good cause it’s early, please open my eyes, let light in.” Over a light, airy melody of pianos and strings, the song meanders, as if to mimic a gradual awakening. When the song slows down around the three minute mark, rapid cymbal taps emerge seemingly out of nowhere, followed by a series of stomps and then, and unbelievably sincere pan-flute solo. It was a moment where I had to click back to my itunes to make sure something had not somehow become bungled. Sure enough, after a few seconds, a joyous and distorted drum loop kicked in, and Animal Collective began to chant, “Why do you have to go?”

The second track titled, What Would I Want? Sky, has become increasingly famous during the past year because it is the first song to ever use a licensed Grateful Dead sample (taken from the song, Unbroken Chain). Animal Collective manage to use the sample in such a way that it sounds completely natural. The song is almost seven minutes long and begins with a three minute segment filled with complex drum loops and sparse resonant vocal samples. As the Grateful Dead sample is first heard the song shift dramatically but it doesn’t feel forced. It seems to culminate in the only way it can. Avey Tare’s vocals swirl melodically around the repeated sample and simple drum loop while Panda Bear harmonizes and repeats in the background. It is definitely one of Animal Collective’s strongest tracks.

The third track, Bleeding, serves as a dark and ambient interlude that connects the first and second halves of the EP. The second half is darker and more mysterious. Track four finds Avey Tare introspectively musing about the pains of life on the road. Though this song carries a theme heard often in popular music,  Avey finds a way to discuss and filter his ideas so that they don’t feel contrived or cliche.

The final song is a Panda Bear track that sounds like it could have been taken straight from 2007’s loop heavy solo effort, Person Pitch. The track, titled, I Think I Can, is long and dark. The vocals filter through a background of syncopated percussion and synth loops as Panda Bear sincerely tries to work things out. Its a journey of a song you’ll find yourself taking over and over again in an attempt to fully understand it.

Fall Be Kind is a very strong release. It’s credibility is increased by the fact that it is the second strong musical effort from this band, this calender year. The musicianship is top notch as the band concocts an array of musical structures ranging from the maddeningly complex to the incredibly simple. Lyrically, Animal Collective prove once more that they may be the only people around who can write about adulthood. If you’ve ever enjoyed Animal Collective before there is something in this release for you, do yourself a favor and check it out as soon as you can.

4.5/5

Panda Bear talks new solo record

I take one Monday off from blogging, and in the last 48 hours we’ve had two new pieces of Animal Collective information hit the nets.

The first and most exciting order of business is an interview Panda Bear did with pedestrian.tv recently where he talks about his new solo effort. There is a little detail here and there about what he is planning, but nothing concrete. All the interview really gets across is that it will be different from 2007’s Person Pitch. This is kind of disappointing because Person Pitch was so good but at the same time that is what makes Panda Bear and Animal Collective so good, they refuse to repeat. Whatever Panda Bear is planning, it sounds amazing. There is  no speculated release date as of yet and the album is still in production as of now. Here is an excerpt that focus’ on the new album:

PED TV - What do you see as the main difference between what you’re writing now and Person Pitch?

PB: The tone is a lot darker and it sounds sort of dramatic or romantic to me. But I’m in still in the thick of the thing so it’s really tough to be objective at this point. So I have no idea, but hopefully people like it. I hope its good.

PED TV: How’s that sounding? I know that you’ve mentioned being tired of the sample based stuff and the need to change your song writing process and sound by incorporating different instruments…

PB: Yeah, it’s going pretty good. It’s been a long process. I’ve thought about it for a long time while we were doing the Merriweather stuff, so I had a long gestation process in my mind but only really started cracking on it in September. It’s kind of scary doing something totally different, like I’ve been working in a sampler zone for five or six years now. It definitely feels like a new zone, its scary but also exciting as well.

PED TV: I guess it’s liberating because you’re forced to approach it differently, what sort of sounds and instruments are you exploring?

PB: The rhythms are really basic and kind of raw and simple and are electronic. It’s not live instrumentation, I’ve been playing guitar but I feed it through the same thing that the sequences are on. It’s a very electronic sound and very voice heavy. A simple arrangement of drums, the guitar and singing. Really there are only two or three elements to every song. It’s pretty raw sounding for better for worse.”

Panda Bear goes on to discuss the next Animal Collective record, and how living in Portugal is. All in all it’s a great interview and to read it in its entirety click here: Interview

*****

The second piece of info is that Pitchfork has given one of the tracks from Animal Collective’s upcoming ep, Fall Be Kind, a best new track nod and a 10 out of 10. The track graced with such a rating is, What Would I Want? Sky. This track is already quite famous because it is the first time a Grateful Dead sample has been legally used. The song is flat out amazing, and if you haven’t heard it do yourself a favor and point your browser to pitchfork to listen to the studio track, or click here: What Would I Want? Sky

If you dig the track, head to I Guess I’m Floating to download the version Animal Collective recorded in Janurary 2009 at the BBC. There is also an excellent version of Lion In A Coma, I’d recommend snagging both. To listen to/download these tracks, head here: I Guess I’m Floating

No Age – Brain Burner – Live

I should totally be asleep, but instead I’m studying for french, and listening to No Age. So why shouldn’t you do the same? Maybe not the french part.

One of my favorite No Age tracks is Brain Burner, the last track of their most recent full length album, Nouns. It’s a sub two minute adrenaline driven romp through punk-rock and it is unbelievably simple, and even more catchy. Below is a live version of said track. The vocals are hard to hear, but the energy is unmistakable. No Age, would completely tear your house apart, and this proves it.

And in case you actually wanted to “hear” the song, here’s the studio version. The quality isn’t THAT much better..

My other favorite track from Nouns is Teen Creeps, and below is the studio version of that song as well..

If you haven’t heard Nouns in its entirety, change that right now, it’s almost the weekend, you’ve got time. If you point your browser to subpop, the bands label you can snag a copy for a meager 12 dollars. Do it. Click the album art below to surf to sub pop and pick yourself up a (relatively cheap) piece of punk rock awesomeness.

Animal Collective – Graze

Fall Be Kind EP

I slept in wayyyyyy too late today. But! What almost makes it worth it, is that Animal Collective have kicked a new track from their upcoming release, Fall Be Kind, our way. The track is called Graze, and you can hear it, by “watching” the video below.

Remember, Fall Be Kind EP is set to digitally drop November 23rd, that’s next Monday, so you don’t have to check your calenders. The physical release wont hit stores until December 8th. I must admit, I would love to review the album when it digitally drops, but I’m not sure. I might hold out until I can break the tunes in on vinyl…we’ll see.

Graze!

Cymbals Eat Guitars – …And The Hazy Sea – Live

Remember Cymbals Eat Guitars? They’re cool right? This video of them play …And the Hazy Sea is pretty kick ass. I’d check it out if I were you, click the link below.

 

Cymbals Eat Guitars – “Hazy Sea” from Flipswitch on Vimeo.

Them Crooked Vultures – Album Review

ThemCrookedVultures

When I first heard about Them Crooked Vultures, it instantly sounded like one of the best ideas concocted in the last five years. It was instantly an idea I was jealous of. Why didn’t I suggest this, or even think of it? There are certain things in life we have to just learn to get past. Whoever suggested this, whichever of these power three it was, deserves all the credit in the world.

Them Crooked Vultures consists of:

Josh Homme (Queens of the Stone Age) – Guitar/Vocals

John Paul Jones (Led Zeppelin) – Bass

Dave Grohl (Foo Fighters, Nirvana) – Drums/Vocals

Josh Homme has been riff sliding his way into my heart since I first heard the track, No One Knows, off the Queens of the Stone Age album, Songs for the Deaf. I’ve said it before, Homme is one of the two best riff writers out there, Jack White being the other. His riffs are rough, melodic, dark and catchy as hell. He brings all of this to Them Crooked Vultures.

John Paul Jones is best known for his work with Led Zeppelin. His bass work here is nothing I’d write home about in terms of complexity, but the framework it creates allows for Homme’s guitar lines to slink and slide before exploding.

Dave Grohl has always been a great drummer, and I’ve always preferred to think of him as such because I’m not that interested in the Foo Fighters. Grohl’s drumming essentially made Nirvana into the all-encompassing entity we think of them as today. His style is bombastic at times, yet always controlled. It is something few drummers can pull of with such astounding ease.

All of that background is hardly necessary. While these talented musicians are all members of other great bands, Them Crooked Vultures’ debut album stands completely alone. Not to say that its better or worse, but simply it can stand apart as something separate.

On the first few listens, all I could hear was a new Queens of the Stone Age album, which is fine with me. Had the release simply been that I would have been happy enough. This is an easy trap to fall into because Homme helms the guitar and vocals duties in both bands, and his signature lyrical style and riff writing is definitely present and prominent throughout the album. But after a couple listens, you start to realize home great the drumming is, and how perfect that bass line is, and how well Grohl harmonizes with Homme on tracks like: Mind Eraser, No Chaser. These are the things that make albums have a lasting impact.

The album begins with a great break beat and it quickly hands us over to the care of John Paul Jones and Josh Homme. The guitar slides here and there, distorted and ringing. The sound is almost distant, but not quite, as if Homme is just waiting to unleash and unleash he does. The first track begins a bluesy romp and ends almost mechanical and distorted. The momentum builds and doesn’t let up until track four. tracks two and three, the two singles (Mind Eraser, No Chaser & New Fang) are incredibly strong. Mind Eraser, No Chaser, is extremely catchy with a quick-moving bass line and just the right amount of serious rocking. The lyrics are top-notch as well, “ignorance is bliss until they take your bliss away.” After the first breakdown in track four, the second romp begins with, Elephants, a quick paced rock tune, and then quickly the energy drops back down to a more focused sixth track. These dynamics continue, keeping the album interesting and keeping it from droning on at any given place.

Them Crooked Vultures are able to hold the energy level throughout the album, whether the track is slow and melodic (Interlude with Ludes) or loud and in your face. They travel through various levels of intensity and many volume levels and musical styles. Where ever they go, you want to go along, if for no other reason than to just figure out where exactly it’s going.

I think what I like most about this album is that it doesn’t sound like a “supergroup album” That’s to say it doesn’t sound like three talented musicians competing for the spotlight and showing off their skill. Instead it showcases three great musicians playing in perfect unity. John Paul Jones’ bass lines are fairly simple, but fit perfectly. Grohl’s drumming is as reserved or bombastic as it needs to be, its adjusted well in each song. And Homme is picture perfect, and in top-notch form.

I’d highly recommend picking this album up, especially if you’re a Queens of the Stone Age fan. But if you’re a try before you buy kind of person, then you can listen to the entire album on the bands youtube, http://www.youtube.com/user/themcrookedvultures

All in all, I give this album, a 4……………outta 5.

Panda Bear – Small Solo “Tour”

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According to Paw Tracks, (Animal Collective/Panda Bear’s record label) Panda Bear, of Animal Collective fame, will perform a few solo shows on three consecutive days in Germany. The shows are scheduled for the following days:

January 15th – Berlin, DE @ Hebbel Am Ufer

January 16th – Leuven, BE @ Artefakt at Stuk Kunstencentrum

January 17th – Kortrijk, BE @ De Kreun

If you’re lucky enough to be in Germany, or hell, you live in Germany, you’re going to want to catch these shows. I am unbelievably excited for Panda Bear’s next solo album to drop considering how amazing 2007’s Person Pitch was…

Click here to see the actual Paw Tracks Tour Info Page (scroll all the way to the bottom, you’ll also see the remaining dates on Animal Collective’s current tour, they’re all in Australia) – http://www.paw-tracks.com/tour.html

Slug + Murs – Felt 3: A Tribute To Rosie Perez

Felt3Cover-myspace

Slug (atmosphere) and Murs (living legends + 100 other projects) have teamed up to put out their third album under the moniker, Felt. Felt 1 was done with production by Living Legends member, The Grouch. Felt 2’s production duties were taken on by Ant of Atmosphere. The third installment is helmed by none of than Aesop Rock himself. The album is a tribute album like the other two, this one is: A Tribute to Rosie Perez.

The album drops November 17th, and it should be pretty awesome, and now you can decide for yourself, HOW awesome because they’ve put the entire album up streaming on their myspace. Check it out below

To listen to the entire new Felt album, click here: http://www.myspace.com/mursandslug

Animal Collective – In The Flowers – Video

Jesus, these dudes are busy busy busy. Pitchfork just posted a link to their latest video from Merriweather Post Pavilion. Just point your browser to myanimalhome.net and the video is all you see. It’s pretty cool.

To see the video click here: myanimalhome.net

Also, check out this pretty great live version of the same track…

Animal Collective – Bleeding (Live)

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Animal Collective have released the Brothersport 10 inch single now, and the b-side is a new track they’ve been playing on tour this year called Bleeding. The version on the single is about 10 minutes long. It was recorded at Big Sur earlier this year. The track is sprawling and melodic before it then spreads into an interlude that, Avey Tare said, supposedly leads into another new track, What Would I Want? Sky. But it appears to be only the beginning portions of that unreleased track. What Would I Want? Sky, rose to prominence earlier this year when it became the first song to legally licence a Grateful Dead sample.

Both of these tracks are set to be released on Animal Collectives up and coming ep, Fall Be Kind, which is out December 15th physically and November 23rd digitally. So keep your ear out for that.

Until then take a stroll to the hype machine via the link below, and listen to the track, Bleeding (Live)

http://hypem.com/track/953538/Animal+Collective+-+Bleeding+Live+from+Big+Sur+

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